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Sanjay Leela Bansali is one such director, who drags out, what he expects from his actors. He is such a person, who has the ability even to make a dumb speak and a blind man see. His devotion and dedication towards his work has always inspired the freshers to follow his footsteps and the seniors to work harder. His expectation level goes higher, when he directs an experienced and efficient actor. His actors have never let him down and his effort has always delivered some of the greatest celluloids of the Indian Cinema.

After Devdas and Black, he has again come up with yet another classic, ‘Guzarish Songs‘, which can be considered to be the most awaited movie of 2010. He did not waste a single second to take advantage of the sensational chemistry, which sizzled the silver screen, through the movie, Jodha Akbar. By this time, Hrithik and Aishwarya had already won the Indian hearts, as a duo. Sanjay wanted this duo to again sizzle on the silver screen, but this time on a different dimension. Hrithik had already shown his talent in Koi Mil Gaya and this time, Sanjay polished this talent at an extreme level to produce a pass-muster, who would show perfection in his character.

Sanjay always prefers to maintain silence as much as he can about his forthcoming movies. To grab some information about his film is like fetching a pearl from thousand shells. However, we have pretty managed to grab some data from the inner sources. In the movie, Guzarish Wallpapers, Hrithik is playing a physically challenged role. He will be seen sitting on a wheel chair, through out the film. This actor has never hesitated to put himself in adverse conditions, in order to attain perfection, in whatever role he portrays. This time, he has actually confined himself to a wheelchair even at his home and is also seen descending the stairs, by sitting in his wheelchair. This actor has accumulated all his spirits for this movie and has set up an example for his colleagues and his juniors. Sanjay has put behind all the glitters and glamours and has come up with yet another unique and throat-thickening story. Hrithik and Aish will be seen in a lackluster facade, while the actor is asked to grow beard and put on weights, this bewitching lady will be seen in sombre and vapid outfits.

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It was all about looking into future for Akshay Kumar (8X10 Tasveer), Neil Nitin Mukesh (Aa Dekhen Zara), Madhavan (13 B), Jackky Bhagnani (Kal Kissne Dekha) and Hurman Baweja (Love Story 2050). However, when it comes to playing characters belonging to a different era, actors today are more excited about stepping into the 60s and the 70s and exploring the times that have been left behind.

Action Replay Video Songs is something pretty much visible in number of films that are either lined up for release or are currently under production. These are ‘Love Aaj Kal’, ‘Action Replay’ and ‘Once Upon a Time in Mumbai’.
Informs Imtiaz Ali, the director of ‘Love Aaj Kal‘, who has brought together the two eras in his third directorial outing after ‘Socha Na Tha‘ and ‘Jab We Met‘, “The film moves in two different era – 1965 and 2009 – almost simultaneously. They could well be termed as ‘Love Kal’ and ‘Love Aaj’ respectively due to their relevance with the characters and the time period involved. The story is told from the point of view of Veer and Jai respectively who have a different perspective about love and relationships.”
Incidentally, Saif Ali Khan plays the double role of both Veer and Jai though Rishi Kapoor forms an important part in the entire narration that travels across London, San Francisco, Delhi and Calcutta.
From the 60s, story moves to the 70s as Akshay Kumar and Aishwarya Rai come together for ‘Action Replay Songs‘. The film is said to be going into two time zones – 1975 and the current times. Admits producer and director Vipul Shah, “Yes, the film is about a time travel tale. It also stars Randhir Kapoor who plays an important role in the film. Beyond that, I can’t reveal much about the film’s plotline.”
Composer Pritam too confirms that ‘Action Replay Wallpapers’ is set in the 70s. “Yes, I have created compositions that completely go with the mood of the 70s. It has been a unique experience for me actually”, he says.
Emraan Hashmi shares similar sentiments as well after briefly shooting for Milan Luthria directed ‘Once Upon a Time in Mumbai’. Excited about finding himself in an underworld setup belonging to the 70s, he says, “It’s good to be stepping into an era when underworld had just started making it’s presence felt. Milan is coming up with entirely new presentation of what crime was back then.”
He is impressed with the way the film has been shot so far. “‘Once Upon a Time in Mumbai is an entirely new way of narrating a story and such kinds of scripts are Milan’s forte. You can see that he is all pumped up when it comes to high testosterone male oriented films like the ones he has directed in the past (‘Kachche Dhaage’ or ‘Deewar – Let’s Bring Our Heroes Home’). The 70s flavour is only adding to the entire fun.”
The film sees Emraan coming together with Ajay Devgan for the first time. Also leading ladies Kangna Ranaut and Prachi Desai are going all out to get that perfect 70s look.
Meanwhile Bollywood continues to be inspired by the 70s even though the film may be set in the current times. Two years back Sriram Ragahvan came up with Neil Nitin Mukesh starrer ‘Johnny Gaddar’ which was a clear homage to the action masala potboilers from the 70s. In a few weeks from now, Vishal Bhardwaj would be unleashing his ‘Kaminey’. Going by the look, treatment and music of the film, yet again Bollywood seems to be searching into the past.
In fact makers of ‘Kaminey’ have been making no bones about the fact that this Shahid Kapoor and Priyanka starrer belongs to the caper genre, something that has been mastered by Hollywood film makers like Guy Ritchie, Quentin Tarantino and Tony Scott. Incidentally each of these directors has been known for the 70s treatment imparted into their films.
No wonder, Vishal Bhadrwaj instructed his entire cast and crew of the film to watch caper classics like ‘Lock, Stock and Two Smoking Barrels’, ‘Snatch’, ‘Pulp Fiction’ and ‘True Romance’ to catch the finer nuances of a caper thriller. That’s because each of these films has traditionally acted as text book material not just for India but even West when it comes to caper thrillers.
“This is why Vishal wanted to be sure that everyone from cast as well as crew member gets familiar with the entire idea of story telling when it comes to a caper thriller”, informs a prominent crew member who was assigned this ‘homework’ just like the rest, “There is a certain ‘sur’ in movies belonging to this genre and one miss here or there and the film risks falling flat on it’s face.”
Well, that’s the last thing a film maker would want, especially when there is so much of knowledge from the era gone by out there in open to learn and get inspired from.

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Big Screen Entertainer and Zee Motion Pictures present AAKROSH  Wallpapers Directed by Priyadarshan and produced by Kumar Mangat Pathak, the film stars Ajay Devgn, Akshaye Khanna, Bipasha Basu and Amita Pathak in the lead roles. Raima Sen, Amita Pathak, Vineet Sharma and Urvashi Sharma appear in supporting roles in the film. Priyadarshan is known to direct National Award winning films like KANCHIVARAM and KALAPANI to his credit. AAKROSH Songs appears to be on the same lines. Robin Bhatt has written the screenplay. Aditya Dhar has penned the dialogues. Pritam has composed the soundtrack of the movie and the lyricist is Irshad Kamil. Thiru Ranga is the director of photography. The film is scheduled to release on 1St October, 2010. SYNOPIS: The film revolves around a lower caste guy who had gone along with his 2 friends to a village - Jhanjhar in Bihar, his native place, to watch Ramleela. These 3 students of Delhi University go missing in the dusty village. In the previous 3 months there was no clue where the young students have vanished. Media and students movement all over Bihar takes a pivotal step for getting hint of these students, its then government appoints CBI officers Sidhant Chaturvedi and Pratap Kumar and find out the truth under it. A person residing in Bihar himself and, Pratap understands the intricacies of race relations in small towns like Jhanjhar. Pratap tries to use his charm and smartness to crack investigation whereas Sidhant has a very no non-sense, direct approach investigation. It's simply a clash of personalities and ideologies. Investigating in Jhanjhar becomes a tough task for these officers as the local police force headed by Bhura Ram with the help of local MPs and landlords run a major branch of the Shool Sena. At the same time the two officers cannot break the ice with local low cast community members, due to years of fear instilled in them by regular and highly planned Shool sena attacks. Roshni (daughter of the most powerful and richest person of village) acts as a key element to reveal certain realities and give a new direction to the investigation. Soon the effect of their investigation causes mayhem in Jhanjhar, with riots, burning of houses and killing of peasants in broad daylight. Slowly Pratap with Siddhant's help starts cracking the case by exerting his influence upon Geeta (a victim to the same inhumanity), who acts as a final key to the investigation. How amongst the animosity created by Shool Sena and the fear of losing more peasants do Pratap and Sidhant solve this mysterious case is explained with a chain of exciting, funny and intelligent events that form the climax of the story.